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<p><b>Ny side</b></p><div>{{Infoboks biografi}}<br />
'''Rudolf Edwin Belling''' (født [[26. august]] [[1886]] i [[Berlin]], død [[9. juni]] [[1972]] i [[Krailling]] nær [[München]]) var en [[tyskland|tysk]] [[billedhogger]] og [[designer]]. <br />
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Bellings [[ekspresjonismen|ekspresjonistiske]] skulpturer var sterkt påvirket av [[kubismen]] på 1920-tallet, og ble stemplet som [[entartete kunst]] av de tyske nazistene i 1933.<ref>Dreiklang Gattung/Objektart:Skulptur/Plastik Herkunftsort:Berlin, Nationalgalerie (Kronprinzen-Palais) EK-Inventar Nr.:15029</ref>Fire skulpturarbeider ble beslaglagt.<ref>[http://emuseum.campus.fu-berlin.de/eMuseumPlus?service=RedirectService&sp=Scollection&sp=SfieldValue&sp=0&sp=141&sp=3&sp=SdetailList&sp=0&sp=Sdetail&sp=0&sp=F Hele listen]</ref><br />
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Han flyttet derfor til [[Istanbul]] i Tyrkia i 1936 der han ble professor i billedhuggerkunst ved universitetet og utformet flere monumenter. Han bodde og arbeidet i Tyrkia fram til 1966. Bellings stramme formspråk ble etter hvert mer tradisjonelt klassisk-naturalistisk, selv om han også fortsatte med reint [[abstrakt kunst|abstrakte]] arbeider.<br />
<gallery><br />
Fil:Rudolf Belling Schuttblume 1972 Olympiaberg Muenchen-3.jpg|''«Blütenmotiv»'' fra [[1972]] står i [[Olympiaberg]] i [[München]]<br />
Fil:Bundesarchiv Bild 102-08322, Plastik von Rudolf Belling.jpg|''Dreiklang'' («[[Treklang]]») fra [[1919]] {{Byline|Deutsches Bundesarchiv}}<br />
Fil:Bundesarchiv Bild 102-11975, Plastik Max Schmelings.jpg|Statue av bokseren [[Max Schmeling]] fra [[1931]] {{Byline|Deutsches Bundesarchiv}}<br />
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== Referanser ==<br />
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== Eksterne lenker ==<br />
* {{Sportslenker}}<br />
* [http://new.artnet.com/artist/76029/rudolf-belling.html Biografisk tidlsinje (på tysk)]{{Død lenke|dato=februar 2022 |bot=InternetArchiveBot }}<br />
* [http://new.artnet.com/artist/76029/rudolf-belling.html Eksempler på Bellings tidlige ekspresjonistiske skulpturer]{{Død lenke|dato=februar 2022 |bot=InternetArchiveBot }}<br />
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<!-- <nowiki>==Artistic theories==<br />
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At the very beginning of the [[20th century]] Rudolf Belling’s name was something like a battlecry. The composer of the "Dreiklang" (triad) evoked frequent and hefty discussions. He was the first, who took up again thoughts of the famous [[Italy|Italian]] sculptor [[Benvenuto Cellini]] ([[1500]]–[[1570]]), who, at his time, stated, that a sculpture should show several good views. These were the current assumptions at the turn of the century. However they foreshadow an indication of sculpture being three-dimensional.<br />
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Rudolf Belling amplified: a sculpture should show only good views. And so he became an opponent to one of the German head scientists of art in Berlin, Adolf von Hildebrandt, who, in his book, ''The problem of Form in Sculpture'' ([[1903]]) said: "Sculpture should be comprehensible – and should never force the observer to go round it". Rudolf Belling disproved the current theories with his works. <br />
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His theories of space and form convinced even critics like [[Carl Einstein]] and [[Paul Westheim]], and influenced generations of sculptors after him. It is just this point which isn’t evident enough today.<br />
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==Departure from Germany==<br />
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From [[1933]] on, Belling had no chance to work in his home country. His works were marked degenerate, many of them were melted down or smashed. As his political opinions were also not in conformity with the [[Nazi]] regime, he was banned from working as well as from his membership of the [[Akademie der Künste]], [[Berlin]]. The president of the Academy of Arts in Berlin advised him in the name of the Minister of Education and Arts to hand in his resignation from the Academy.<br />
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In [[1935]] Rudolf Belling stayed for eight months in [[New York]], where he had an exhibition in the [[Weyhe Gallery]] with his most important works from the Modern Classic Period. He also gave courses of lectures on modern sculpture and his own theories. America offered him a marvellous possibility at that time to live his life there.<br />
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He returned to Germany because his nine-year-old son Thomas was in danger there since his mother, Rudolf Belling’s first wife, had been Jewish. He succeeded in saving his son and emigrated once again, in [[1937]], this time to [[Istanbul]], [[Turkey]]. He lived and worked there for thirty years.<br />
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From 1937 on he was professor at the [[Mimar Sinan University of Fine Arts|Academy of Fine Arts]] in Istanbul, re-organizing the department of sculpture and mediating introductions towards modern art, basing his work on traditional studies. In [[1939]] he managed to fly out his son illegally from Berlin to Turkey. In 1942 he married his second wife Yolanda Carolina Manzini, who was from an Italian-German family, and in 1943 his daughter Elisabeth was born.<br />
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From [[1951]] to [[1966]], he was professor at the [[Istanbul Technical University]], at the department of architecture. [[1955]], he got the Federal Cross of Merit. He was called back to the Academy in Berlin West only in [[1956]], the same year the works which stayed in New York could be received back with the help of the Foreign Office.<br />
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At the age of eighty, he decided to return to [[Germany]] again, where he lived in [[Krailling]], near [[Munich]]. He died in Munich in June [[1972]], being highly decorated by the German government with the Federal Cross of Merit with Star.<br />
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The archive is meanwhile managed by his daughter Elisabeth Weber-Belling.</nowiki> --><br />
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[[Kategori:Personer fra Berlin]]<br />
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